Jessica Collins (@aiwithjessica) — sponsored posts & rates

@aiwithjessica

Jessica Collins16.3K

Jessica Collins

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@aiwithjessicaAI VideoGenerative AIMotion Graphics

AI Creator | Exploring AI & creating with it | Collaborations & promos → DM | CPP @CuddlerAI @Flovaai @Capcutapp | [email protected]

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Last 7 days88 posts analyzed · replies not counted · updates weekly

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Sep 24Sep 25Sep 26Sep 27Sep 28Sep 29Sep 30

Past collabs

Jessica Collins@aiwithjessica · Sep 29The gap between AI-generated scenes and cinematic storytelling keeps getting smaller. Kling 4.0 brings more realistic visuals, finer creative control, and smoother storytelling, giving creators even more room to experiment. @Kling_ai #ad

Kling 4.0Paid partnership9.2K views

Jessica Collins@aiwithjessica · Sep 29The next wave of AI video is all about making complex scenes feel effortless. Kling 4.0 brings stronger realism, more creative control, and smoother storytelling into one workflow. @Kling_ai #ad

Kling 4.0Paid partnership10K views

Jessica Collins@aiwithjessica · Sep 28One moment changed the entire dynamic. A quiet roommate scene took an unexpected turn when he pushed him onto the bed. Created with @Flovaai using this Skill ↓ https://www.flova.ai/en/skill/?id=aa3358cbd5dd4528a952b16d545fd1de&utm_campaign=k0914

FlovaaiPaid partnership7.5K views

Jessica Collins@aiwithjessica · Sep 26Official native Seedance 2.5 on Pippit AI, $1.5/month, 90% OFF for a limited time. @pippitofficial This video shows exactly how I created it with Seedance 2.5 on Pippit AI. From the coastal setting to the natural movement and realistic balloon physics, the whole scene was generated using the official native Seedance 2.5 model. More affordable Seedance 2.5 generation: at 720p, Pippit AI is as low as $0.035/second vs $0.079/second on other tools. I used Story Studio’s Canvas to organize assets, scenes, and story flow in one place, then finished the look in 3D Director Studio. Subscribe to Pippit AI now and lock in 90% OFF Seedance 2.5 while it lasts. https://pippit.tryit.cc/P3G3z #Pippit #PippitAI #Seedance25 #Seedance #3DDirectorStudio #StoryStudio #AIFilm Workflow in the comments 👇

Pippit AIPaid partnership43.9K views

Jessica Collins@aiwithjessica · Sep 25She tripped… then the laws of physics clocked out. Made with Seedance 2.5 on @Flovaai using the skill “Script to video” The link to the skill is in the comments 👇 #Flova #Seedance

FlovaaiPaid partnership26.7K views

Jessica Collins@aiwithjessica · Sep 24GTA 6 energy. No guns, one stolen bike, and a document that had to land. Made with Seedance 2.5 using “GTA 6 inspired showcase” on @Flovaai Comment GTA and I’ll send the prompt. #GTA6 #Seedance

FlovaaiPaid partnership5.8K views

Jessica Collins@aiwithjessica · Sep 24The Monkey King just turned Chinese mythology into a GTA-style mission. Sun Wukong stealing the Peaches of Immortality feels like the perfect open-world chaos. Made with FlovaAI’s GTA Skill, “Third-Person Gameplay Director.” Want to build your own? Skill link in the comments 👇

FlovaAIPaid partnership28.4K views

Jessica Collins@aiwithjessica · Sep 23The sister rescue feels like a full anime-inspired live-action sequence, not a collection of AI clips. Lock the character and her Japanese styling. Made on @vivago_ai Build the rescue as one continuous story with escalating combat, hair transformation, celestial swords, and a final sister moment. From reference → character consistency → cinematic action → finished film, all through Vivago’s storytelling workflow. Vivago supports structured narrative generation and persistent character consistency across scenes. Skip the canvas. Let the story unfold.

VivagoPaid partnership19.9K views

Jessica Collins@aiwithjessica · Sep 17A frozen Captain America, one stubborn glacier, and absolutely no way to get him out. So naturally, I went with the most chaotic backup plan: the volcano challenge. Made with @Flovaai , and somehow it got even crazier.

FlovaaiPaid partnership21.3K views

Jessica Collins@aiwithjessica · Sep 15This week I used ChatGPT Plus on GamsGo for a real task: turning a messy brief into a usable outline. What used to take me a long stretch of tab-hopping took one working session. I bought the ChatGPT Plus 6-month plan on GamsGo for $30.59 USD, paid through GamsGo checkout, on the plan shown for my region. Price as shown on the page the day I posted; it may change. ChatGPT is about 75% cheaper than the official price on GamsGo. Use my promo code EKR79 for another 3% off. Purchase link is in the reply below 👇 #ad @GamsGo_Global

GamsGoPaid partnership29K views

Jessica Collins@aiwithjessica · Sep 14A quiet moment by the ocean turns into something that feels straight out of a film. The atmosphere, emotion, and natural movement make this feel surprisingly real. Hard to believe it was created with AI. Made with @Flovaai Tutorial + prompts below.

FlovaaiPaid partnership21.5K views

Jessica Collins@aiwithjessica · Sep 14I genuinely thought this was a movie scene. The story flow, camera movement, and atmosphere all feel intentionally directed, and the workflow behind it is more accessible than you might expect. With Pippit AI, I built the narrative in Story Studio and shaped the camera in 3D Director Studio. If you have a short-film idea, this might be your sign to make it. Original film by Global Cinema AI:https://www.youtube.com/watch?v=uUbeeBsNEjI Try it now: https://pippit.tryit.cc/8Za6QFU Pippit Creative Partner Program is now live. Free Pro membership every month, earn credits for every story you post, up to $2,000 cash per viral video, and paid traffic to boost your hits. AI storytellers, visit @pippitofficial to join. #Pippit #PippitCPP #3DDirectorStudio #PippitAI #AIfilm #StoryStudio #AIvideo

Pippit AIPaid partnership28.6K views

Jessica Collins@aiwithjessica · Sep 10They picked tomatoes, cooked pasta, and fell into summer. A quiet countryside love story, shot entirely with AI. Made with Seedance 2.5 on @Flovaai Created using the "Script to Video" skill on Flova → turns a written scene straight into a cinematic clip. 🔗 Try the skill: https://www.flova.ai/en/project/?id=a9d610edf47a43959e270ad00deab420 Every frame, every character, every cut — SD2.5 handled it all. 🎁 Use my code JG3YW42G for perks when you join Flova 👉 https://www.flova.ai/?refCode=JG3YW42G

FlovaPaid partnership153K views

Jessica Collins@aiwithjessica · Sep 9Apple hasn’t shown us its foldable yet. So we decided to imagine one. The concept started with a single product idea — then Flova turned it into a full cinematic ad. From product design and visual direction to shot composition, camera movement, materials, lighting, and the final reveal, the entire commercial was built around one concept. One idea. One workflow. One cinematic product ad. Made with @flovaai Fan-made concept. Not affiliated with Apple.

FlovaPaid partnership21.5K views

Jessica Collins@aiwithjessica · Sep 9🚨 He asked for a COKE, and things escalated real fast 😭 K-drama plot twist energy, but make it a convenience store fail. Made with Seedance 2.5 on @Flovaai Skill used: K-Drama Vibe Short Series 👉 https://www.flova.ai/en/project/?id=122441e1374f418e9ce0cf068c3b3145 #Flovaai #Flovacpp Prompt 👇

FlovaaiPaid partnership1.5K views

Jessica Collins@aiwithjessica · Sep 8She didn't ask for permission. She just took over the room. That's the energy every evening deserves. Made with Seedance 2.5 on @Flovaai Built using SD2.5's Script to Video skill, one prompt, full cinematic story. 🔗 https://www.flova.ai/en/project/?id=48b3969c11124deda06626546b65b092 #Flovaai #Flovacpp Prompt in the comment:

FlovaaiPaid partnership34.5K views

Jessica Collins@aiwithjessica · Sep 4POV: you left the flat and still looked like you planned it for a week This is what "get ready with me" looks like when you're actually in a hurry. Which look wins, the grey tee comfort fit or the full striped-and-pink glam finish? 👇 Made with MiniMax on @FishCreativeHQ 👉 Try it for free: https://fish.audio/app/image-video/ Prompt: Character — Jessica: Mid-20s woman, fair warm skin tone, long wavy dark brown-black hair with natural volume and movement, soft brown almond-shaped eyes, straight natural brows, subtle nose bridge, soft rounded jawline, natural glam makeup with nude-brown lips, small gold hoop earrings, slender athletic build, confident and playful expression throughout. Jessica's facial features, proportions, and identity must remain fully consistent and unaltered across every frame of the video — same face, same bone structure, same expression range, no morphing or drifting likeness at any point. Secondary presence — Off-screen hand: An unseen helper's hand/arm enters briefly from frame edge to pass wardrobe items to Jessica; this hand is never fully shown on-body, has no visible face, and exists only as a functional prop-passing element, not a character. Action (continuous, single take feel): Jessica bursts out of a doorway onto a European stone-paved city sidewalk at a full sprint, immediately ripping off a loose grey graphic tee to reveal a black sports bra and black athletic shorts underneath. Without breaking stride, she catches a pair of light pink dolphin shorts with white trim tossed to her, pulling them on and cinching the drawstring mid-run. She then catches a white-and-black vertical striped long-sleeve crop shirt, slipping one arm in as the collar flares open in the wind, finishing the buttons mid-stride. She stamps her feet into black suede block-heel ankle boots with side zippers without slowing down, snatches a pair of round black sunglasses one-handed and slides them onto her face at full sprint, then catches a grey nylon hobo shoulder bag mid-air and swings the strap onto her shoulder. Her sprint smoothly transitions into a confident runway strut, ending in a full stop with an editorial finale pose — weight shifted onto one hip, one hand resting on the bag strap, sunglasses catching the soft daylight, slight smirk, holding for the final beat. Environment: European city sidewalk, pale stone building facades, wide clean pavement, faint out-of-focus pedestrian movement in the deep background, natural soft overcast daylight. Camera: Fluid stabilized gimbal tracking Jessica continuously throughout, mixed focal feel (starts tighter/dynamic, opens to wider for the final pose), shallow-to-medium depth of field, no visible cuts or camera operator. Style: Ultra-realistic fashion editorial video, photorealistic skin texture, crisp natural fabric physics and real-world gravity on all clothing, sharp accessory detail, no AI artifacts. Negative prompt: no floating or sliding garments, no clothing appearing/fading unnaturally onto body, no visible camera operator, no extra people in sharp focus, no mismatched lighting, no robotic posing, no facial identity drift, no duplicate Jessicas.

FishCreativeHQPaid partnership36.7K views

Jessica Collins@aiwithjessica · Sep 3Turn any character into a pop-art escape I didn't want to plan out every camera angle for Rocky's retro pop-art transformation, so I handed the whole concept over to the Flova Agent @Flovaai and let it run the visual direction and video build on its own. Try the prompt below: drop in any movie character and watch what your Agent creates.

Flova AgentPaid partnership25.8K views

Jessica Collins@aiwithjessica · Sep 3We’ve had AI video generation for a while. But motion graphics were still stuck in the old workflow: After Effects, manual keyframes, expensive production, endless revisions. Fotor Video Agent takes a different approach. Generate 4K motion graphics, edit the text and data directly, and have them automatically integrated into your video. No starting from scratch for every revision. And it just hit #1 Product of the Day on Product Hunt. What it made ↓

Fotor Video AgentPaid partnership12.6K views

Jessica Collins@aiwithjessica · Sep 3She got shoved on Fifth Avenue. Time froze before the coffee hit the ground. Watch the droplets. Made with MiniMax on @FishCreativeHQ 👉 Try it for free: https://fish.audio/app/image-video/ Prompt: LOCATION / ENVIRONMENT: A very busy Manhattan street in New York City on a bright sunny weekday afternoon, Midtown / Fifth Avenue area near Rockefeller Center. Dense pedestrians, yellow cabs, buses, cars, storefronts, traffic lights, street signs, construction barriers, tall buildings. Strong natural sunlight, hard highlights, distinct shadows. Genuinely crowded, chaotic, constantly moving. OPENING CAMERA — EARLY-2000s HANDYCAM: Authentic handheld MiniDV camcorder from the early 2000s. Soft fine detail, limited dynamic range, slightly muddy colors, mild chromatic aberration, CCD smear on bright highlights, imperfect white balance, slight interlacing-like motion, tape-era compression and subtle digital breakup. No modern sharpness, no cinematic grade, no stabilization. Feels like an inexpensive early-2000s family camcorder. 16:9 delivery. HANDHELD CAMERA MOVEMENT: The unseen cameraman is physically running after Jessy and filming her from the side. Framing stays relatively close, generally from mid-thigh or waist upward so lean legs, light orange fur boots, fishnets, blouse, bag, and coffee stay readable. Distance constantly changes. Heavy natural handheld shake from running, irregular footsteps, breathing, direction changes, avoiding pedestrians. Small reactive corrections. A pedestrian passes between camera and Jessy for a fraction of a second. At one point the camera brushes a passing person — brief sideways jolt. Feels captured by a person running with a camcorder, never stabilized. ACTION — RUNNING THROUGH THE CROWD: Jessy runs urgently through the packed Manhattan sidewalk. She squeezes through narrow gaps, turning her slim shoulders sideways. The glittery bag is on her left shoulder. Takeaway coffee in one hand, loose papers in the other. She is overloaded and struggling to coordinate everything while running. Her shoulder bumps pedestrians; the bag knocks someone as she squeezes through. Some pedestrians react with surprise or irritation. She never stops. Nervous, rushed, increasingly panicked. Tall model posture starts even, then breaks as the crowd tightens. AUDIO / MUSIC: Camcorder microphone records authentic street ambience: footsteps, traffic, horns, engines, buses, conversations, wind, her breathing, crowd reactions. No phone call. Add a short electronic / synth pulse under the location sound that swells the instant time freezes. THE PUSH / TRIP / TIME FREEZES: A stranger in the crowd suddenly shoves her shoulder hard as she tries to pass. She is pushed off balance and trips — body pitching forward, lean leg catching. Coffee cup slips, lid pops off, papers fly outward, bag swings off the shoulder, futuristic shiny glasses begin sliding from her face, light orange fur boots kick up. At the exact instant before she hits the ground, TIME STOPS COMPLETELY. The entire world freezes. Every pedestrian motionless. Cars stopped mid-motion. Dust, clothing, hair, coffee droplets, loose papers, bag, and glasses frozen in place. Jessy is suspended in the middle of the fall. Coffee hangs in individual droplets and a flowing splash. Glasses float off her face. Papers hover at different heights. Nothing moves except the camera. CONTINUOUS CAMERA EVOLUTION — NO TRANSITION: No cut, dissolve, warp, or switch. The exact same camera movement continues from the frozen handheld position, rises, and becomes a highly agile FPV drone. Handheld camcorder language evolves organically into smooth precise FPV while remaining one uninterrupted shot. FPV DRONE AESTHETIC: Fast three-dimensional movement, precise acceleration, controlled banking, fluid climb, strong parallax. Wide-angle FPV lens, deep focus, realistic motion blur during acceleration. No visible drone. Millimeter-precision passes through frozen objects. FPV MOVEMENT — COMPRESSED FOR 15 SECONDS: Quick rise above frozen Jessy: slim model body mid-fall, butter-cream/neon blouse, pink fishnets, very light orange fur boots, bag suspended, papers in the air, coffee exploding. Frozen Manhattan crowd around her. CAMERA — FACE: Dive and lock on her face. Expression frozen in shock. Hold a close-up over/through the exact reference glasses as they separate. CAMERA — GLASSES: Fly at the floating shiny wraparound lenses. NYC sunlight hits the chrome mirror glass — ray, refraction, tiny frozen-city reflections. CAMERA — COFFEE: Rapid redirect to the suspended cup. Lock on the cup, then push through the frozen coffee droplets and the stream pouring out. Lid floats separately. Individual droplets hang motionless. CAMERA — DOCUMENTS: Pass between frozen sheets. Lock onto the final page. Text perfectly legible: “Jessy” FINAL ORBIT / LOCK: Immediate pull into a side-on medium shot matching the original running footage. Jessy frozen mid-fall, surrounded by coffee, papers, glasses, and bag. Crowd frozen behind her. Camera locks. TIME RESUMES: The instant the camera locks, time resumes with no cut, flash, or effect. Pedestrians continue from exact frozen positions. Cars move. Jessy falls. Coffee hits the pavement. Cup drops. Papers drop. Glasses drop. Bag swings forward. Handheld instability returns. Cameraman is now standing, still following. Sequence ends as one uninterrupted recording. ABSOLUTE CONTINUITY RULE: One single 15-second take. No cuts. No hidden edits. No transitions. Handheld must physically become FPV, then physically return to handheld when time resumes. 15-SECOND TIMING: 0–5s handheld run through the crowd, coffee and papers in hand 5–6s stranger push, trip, freeze 6–12s FPV: face close-up, glasses, coffee close-up, “Jessy” on the page 12–15s lock, time resumes, fall, end OVERALL FEEL: Chaotic early-2000s New York street camcorder clip that becomes a short frozen-time FPV pass, then snaps back. First seconds imperfect and documentary. Freeze section precise, with mandatory face close-up and coffee close-up. Final readable payoff is “Jessy”. Face and glasses locked to the two refs. No phone. Fur on the boots very light orange. Legs lean. 16:9.

FishCreativeHQPaid partnership11.5K views

Jessica Collins@aiwithjessica · Sep 2That K-drama feeling is now a few prompts away. Turn simple ideas into viral Korean K-drama-style short skits with @Flovaai Pick the K-Drama Vibe Short Series Skill, drop in your story idea or reference image, and let the Agent handle the rest from concept to finished skit.

FlovaaiPaid partnership14.8K views

Jessica Collins@aiwithjessica · Sep 2She didn’t walk in. She shattered the frame. BTS isn’t a logo. It’s a shockwave. A girl who treats every letter like a launch pad. ARMY, this one’s loud. Made with MiniMax H3 on @FishCreativeHQ 👉 Try it for free: https://fish.audio/app/image-video/ Prompt: Create an explosive, motion-graphics-driven character reveal trailer in 16:9, exactly 13 distinct cuts, 24fps. BTS is a cool, composed anime streetwear girl with long voluminous wavy hair that is jet-black at the roots and mid-lengths with vivid hot-pink streaks and highlights throughout, messy side-swept bangs, a high messy ponytail secured by a black scrunchie with a pink accent bow, ocean-blue eyes with sharp winged black eyeliner, a slim black choker printed with pink “BTS”, an oversized white zip-up hooded windbreaker covered in pink BTS logos, pink stripes and sleeve text, a white crop top centered with a large pink BTS emblem, matching white cargo-style pants with pink BTS branding down the legs and pink drawstring details, chunky white-and-pink platform sneakers, and a pink BTS tote bag. Preserve her exact face, proportions, hairstyle, outfit, materials, accessories and colors throughout; never redesign her. This film is 80% bold graphic design in motion and 20% character action: giant kinetic typography, hard-edged shapes, split-screens, flat color fields, barcode strips, UI ticks, halftone, speed lines, butterfly trails and shutter flashes. Palette: hot pink, lavender-purple, white, black, silver-grey (BTS logo gradient). Style: premium AAA motion-graphics title sequence x K-pop streetwear campaign film. Every graphic element moves fast and snaps hard on the beat. CUT 01 | 0.00-1.00s - Pure graphics: a massive hot-pink circle slams onto a white field, two black bars wipe across, tiny UI ticks and a barcode strip flicker; the letters B, T and S punch in one after another with heavy impact shake. CUT 02 | 1.00-2.00s - The S becomes a porthole: extreme close-up of her ocean-blue eye with winged eyeliner inside it, glancing up; RGB split flash, then the circle shatters into shards of flat pink and lavender. CUT 03 | 2.00-3.10s - Black frame with an enormous white BTS; she sprints in from frame left and power-slides across the baseline of the typography, speed lines and hot-pink streaks trailing, shards of the letters kicked up like sparks and pink butterflies bursting. Whip-pan out. CUT 04 | 3.10-4.00s - Split-screen triptych of flat pink/white/lavender panels; in each panel her silhouette performs a different move in stroboscopic freeze: takeoff, tuck, landing. Huge vertical text FULL SPEED scrolls behind the panels. CUT 05 | 4.00-5.10s - She leaps through a giant rotating ring of typography reading NO BRAKES NO LIMITS; camera tracks her mid-air spin in slow motion as the letters scatter into butterflies, then snap-zoom on her confident face. CUT 06 | 5.10-6.00s - Hard cut: white editorial card, huge black JUMP with a hot-pink slash; she vaults over the word itself, palm planted on the J, legs whipping across frame; the word compresses like a spring under her hand and rebounds. CUT 07 | 6.00-7.00s - Lavender field with a black diagonal stripe; she back-flips along the stripe in three stroboscopic ghost frames, each ghost tinted a different palette color; giant outlined text FLIP rotates 180 degrees in sync with her rotation. CUT 08 | 7.00-8.00s - Kinetic type barrage: the words PINK / FAST / ARMY / BTS slam in one per beat with shutter flashes and camera shake, while she slides on her knees across the foreground, jacket flaring, pink petal and butterfly particles bursting from her sneakers. CUT 09 | 8.00-9.00s - Black frame, giant white wireframe grid tilting in 3D; she runs up the grid like a wall, kicks off, and hangs in the air as everything freezes; a hot-pink circle stamps around her frozen pose like a target lock with UI brackets and data ticks. CUT 10 | 9.00-10.10s - Freeze releases into a burst: she dives toward camera through layered flat-color panes that shatter one by one like glass shutters, each shattering pane revealing a bigger letter of B-T-S; foreground wipe with her sneaker. CUT 11 | 10.10-11.10s - Rapid-fire poster montage: four full-screen graphic posters of her in different action poses (mid-flip, sliding, landing, hands-in-pockets) snap past with hard cuts, each with different bold layout, oversized numbers 01-04, barcodes and slashes. CUT 12 | 11.10-13.00s - Hero moment on a clean white cyclorama: she lands a final backflip dead center in slow motion, straightens with hands in pockets, and a shockwave of concentric hot-pink and lavender rings, wind streaks, butterflies and shattered typography blasts outward from her landing; brief iconic freeze with her faint confident smile, overexpose to white. CUT 13 | 13.00-15.00s - Final identity card: enormous black BTS dominates a pale white field with translucent pink-lavender rings, technical arcs, halftone and a rough black circular emblem containing a ghosted butterfly/barcode motif; she stands relaxed overlapping the letters, wind rippling her jacket and ponytail; one last hot-pink pulse sweeps through the typography and a butterfly-ring flash punctuates the end. Editing: extremely aggressive rhythm - hard cuts on every beat, graphic matches, whip pans, snap zooms, stroboscopic freezes, foreground wipes, RGB splits, shutter flashes, impact shakes and speed ramps; every cut must feel compositionally different; typography is always fully readable before the character overlaps it. No weapons, no combat, no fire; all energy comes from motion design, wind, petals, butterflies, glass and her parkour-style athleticism. BGM: hard-hitting electronic / drum-heavy future bass with aggressive drops, risers, sub hits and glitch fills locked to every cut; sneaker impacts, whooshes, glass shatters and typography slams are rhythmic sound-design elements. Peak at CUT 12 and end with a cold electronic logo stinger. Premium AAA quality, anime-inspired cinematic rendering, stylish and explosive, strong graphic-design identity, consistent character design, exactly 13 cuts.

FishCreativeHQPaid partnership30K views

Jessica Collins@aiwithjessica · Sep 1What happens when AI stops chasing flashy visuals and starts telling real stories? 17 filmmakers. Real characters. Finished films. Every project produced entirely on Flick. No gatekeeping. No black box. Just filmmakers pushing AI storytelling beyond the endless stream of impressive-but-empty clips. Free credits in my reply 👇 @flickartHQ

FlickPaid partnership18.1K views

Jessica Collins@aiwithjessica · Aug 31Your next AI video just got a lot cheaper. Flova’s 818 deal brings some serious generation rates: Seedance 2.5 Series: 480p from $0.025/sec MiniMax H3 Series: 768p from $0.021/sec Wan 3.0 Series: 480p from $0.013/sec If you’ve been waiting to generate more without watching the credits disappear, this is worth a look. Offer ends Sep 17.

FlovaPaid partnership25.9K views

Jessica Collins@aiwithjessica · Aug 31So how does Video Agent actually pull this off? It works more like an AI director than a video generator. I gave it one line — "Autism Spectrum Disorder" — and it planned the entire production: the story structure, what each of the 6 beats needed to say, and which assets to build for it. Then it broke the video down to the smallest building blocks — generating the voiceover, the gradient visuals, the kinetic text, and the motion graphics for every single beat. And everything stayed editable. Select an element to change it directly, or box-select an area on the canvas and tell the Agent what you want changed. It plans the production. You make the final call.

Video AgentPaid partnership1.6K views

Jessica Collins@aiwithjessica · Aug 25Flova x Seedance 2.5 turns a simple idea into a complete, editable video workflow. Flova makes AI video feel less like generating clips and more like directing a full production. One flying-unboxing brief compares Seedance 2.0, MiniMax H3, and Seedance 2.5 through the moving camera, collapsing boxes, and final Pringles reveal. Decide the style first: mood, colors, camera, pacing, and references. Ask Flova Agent to turn your idea into a script and storyboard. Check the Prompt Draft, then generate step by step with the right models. Comment to fix anything off-style, then save assets or the workflow for reuse.

FlovaPaid partnership25.4K views

Jessica Collins@aiwithjessica · Aug 24She said the line wasn't safe. She wasn't lying, just not about what he thought. Made with GPT Image 2 and Seedance 2.5 on @Flovaai "The Cipher" — a psychological thriller told almost entirely through glances, silence, and one very bad question asked one too many times. Built using the "Script to Video" skill Try it yourself: https://www.flova.ai/en/project/?id=5e8494455a554129b4b5875212385d31 @Flovaai_Japan

FlovaaiPaid partnership123K views

Jessica Collins@aiwithjessica · Aug 22My old SSDs were hiding 2TB of digital chaos. Thousands of forgotten photos, videos, random projects, and documents buried in folders I hadn’t opened in years. Instead of manually digging through everything or paying for another cloud service, I found a local AI file agent that actually organizes the mess for me.

MUZIMPaid partnership15.9K views

Jessica Collins@aiwithjessica · Aug 20Ok guys, this "girl" doesn't exist. This entire 60-sec UGC ad- talking, gestures, product close-ups, mask peel, the glow reveal- was generated from ONE detailed prompt. No stitched clips, no manual editing, just timestamped direction from start to finish. That's the power of Nextify AI: turn a single prompt into a fully directed, broadcast-ready ad in minutes — no camera, no actor, no studio. Made with Seedance 2.5 on http://nextify.ai Create your own → https://www.nextify.ai?ref=4JJQD4 #aiugc #nextifyai #createadwithai 👇 Behind-the-scenes workflow in the comments!

Nextify AIPaid partnership29.8K views

Planning a launch?Jessica Collins is one of 200 curated B2B creators. Tell us what you are launching and we will put the shortlist together.

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