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WasifAI
WasifAI13.1K
WasifAI
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AI Visual Artist | Tools Explorer | DM for collabs 📩 | CPP • @OpenArt_ai • @Higgsfield • @TapNow_AI • @CuddlerAI | 📧[email protected]

@doctorwasifAI VideoGenerative FilmmakingAI Creative Tools
13.1KFollowers
11.8KMedian impr. / post
1.0%Engagement
17+12
Paid partnerships
In their audience
32+ affiliated with @higgsfield follow WasifAI
@Miriann_24@TechieBySA@OxBairan@itsshara_ai@JuliaClarky@RuzainaMeer+2623+ affiliated with @itspolloai20+ affiliated with @flovaai10+ affiliated with @imagineart_x10+ affiliated with @kling_ai7+ affiliated with @lart_ai
1,500+ verified followers analyzed
@Miriann_24@TechieBySA@OxBairan@itsshara_ai@JuliaClarky@RuzainaMeer+1494313+ AI creators198+ media creators38+ AI founders38+ creators34+ AI engineers20+ founders
Last 7 days200 posts analyzed · replies not counted · updates weekly
ImpressionsEngagements
106K53K0
3951980
Oct 11Oct 12Oct 13Oct 14Oct 15Oct 16Oct 17
Past collabs
WasifAI@doctorwasif · Oct 11Korean Girl's First Hair Perm Made with Seedance 2.5 on Higgsfield Prompt: Create a nostalgic, casually recorded Korean salon vlog set entirely in South Korea in 2003. Preserve the same young Korean woman’s exact face, identity, skin texture, dark hair color, hair length, body proportions, Y2K outfit, and accessories throughout. Her straight hair must physically transform through the complete perm procedure. SCENE 1 — ARRIVAL (0–5s): Handheld camcorder footage follows her into a modest neighborhood salon, showing worn styling chairs, simple mirrors, cluttered counters, old product bottles, Korean magazines, fluorescent lights, and hooded dryers. She greets the stylist and sits down. SCENE 2 — ROD SETTING (5–10s): The stylist brushes and sections her straight hair, then carefully wraps it around traditional perm rods, securing each with elastic bands. She watches herself in the mirror, smiling nervously. Show realistic hand movements and progressively applied rods. SCENE 3 — SOLUTION (10–15s): With all rods secured, the stylist applies perm solution using a plastic applicator bottle and places protective cotton around her hairline. She glances at the camera with an amused expression. SCENE 4 — PROCESSING (15–21s): The stylist positions her beneath a traditional hooded salon dryer. She waits casually, smiling at the camera as the dryer hums. The camcorder zooms awkwardly and briefly loses focus. Rods remain in place. SCENE 5 — CURL REVEAL (21–26s): The stylist physically removes the rods one by one, rinses her hair at the wash basin, towels it dry, and finishes with an ordinary blow-dryer and round brush. Reveal soft, natural Korean-style curls. She touches a curl and smiles at her reflection. SCENE 6 — DEPARTURE (26–30s): She admires her finished curls, thanks the stylist, walks outside, and turns the camcorder toward herself. Her curls bounce naturally as she walks along the same Korean street. End abruptly like an ordinary home video. ERA & CAMERA: Every detail must authentically match South Korea in 2003: salon equipment, packaging, signage, storefronts, vehicles, clothing, makeup, and technology. Use genuine consumer MiniDV characteristics: shaky handheld movement, imperfect framing, crooked horizons, awkward optical zooms, autofocus hunting, mild CCD noise, soft DV detail, compression artifacts, clipped highlights, and fluorescent white-balance imperfections. No modern equipment, smartphones, luxury interiors, cinematic shots, gimbals, HDR, artificial film grain, VHS distortion, or heavy retro filters. AUDIO: Natural Korean conversations, salon tools, clicking rods, dryer hum, running water, footsteps, and distant street ambience. No music, cinematic sound design, or scripted narration. STRICT CONTINUITY: Maintain the same girl, face, outfit, stylist, salon, and surroundings. Follow the exact sequence: arrival → sectioning and rods → solution → processing → rod removal, rinsing and styling → departure. No skipped steps, instant curls, identity drift, teleportation, or unexplained transitions. FINAL LOOK: A genuine forgotten Korean home-video recording from 2003—not a modern video with a retro filter. Prioritize realistic hair physics, natural behavior, period accuracy, continuous action, and imperfect consumer-camera footage over cinematic polish.HiggsfieldPaid partnership85.6K views
WasifAI@doctorwasif · Sep 3The Zombie Express. Made with Seedance 2.5 on @openart_ai Prompt: Shot 1 (0.0–1.2s): <<<image_1>>>, face and outfit matching reference, lying in upper bunk of a dim sleeper cabin, feverish and sweating, eyes fluttering open, curtain half-drawn. Shot 2 (1.2–2.2s): Close-up of her hand gripping the bunk edge, dark veins emerging beneath the skin, shallow breathing, blue nightlight. Shot 3 (2.2–3.3s): Her eyes cloud milky white as her head stiffly tilts toward the bunk edge, eerie stillness. Shot 4 (3.3–4.3s): Dark blood drips from her lips onto the curtain below, extreme close-up, slow motion. Shot 5 (4.3–5.3s): A sleeping passenger stirs as another blood drop lands on his forehead. Shot 6 (5.3–6.3s): Wide view of the stacked bunks, her silhouette slowly leaning over the edge above the sleeping passenger. Shot 7 (6.3–7.5s): She drops silently onto the lower bunk, straddling him; curtain sways as her feral bloodshot eyes fill the frame. Shot 8 (7.5–8.7s): She bites deeply into his neck; his eyes snap open in shock and pain, slow-motion impact. Shot 9 (8.7–9.8s): Close-up of the wound as dark veins rapidly branch across his skin. Shot 10 (9.8–10.8s): His body convulses violently, curtain thrashing as the cabin light flickers. Shot 11 (10.8–11.8s): His eyes turn milky white, jaw twitching as dark veins spread across his face. Shot 12 (11.8–12.8s): He throws his head back with an inhuman scream, ripping the curtain open. Shot 13 (12.8–13.8s): A nearby passenger wakes and cautiously peers from his bunk into the corridor. Shot 14 (13.8–14.8s): The infected passenger suddenly lunges into the corridor and attacks him. Shot 15 (14.8–15.8s): Chaos erupts; curtains rip open as passengers wake to screams, handheld frantic camera. Shot 16 (15.8–16.8s): A newly bitten passenger convulses against the wall as dark veins spread, others retreat in panic. Shot 17 (16.8–17.8s): The infected turns and lunges at nearby passengers, spreading chaos through the narrow corridor. Shot 18 (17.8–18.8s): Passengers scramble over each other to escape, luggage and curtains tumbling around them. Shot 19 (18.8–19.8s): A conductor grabs a fire extinguisher, bracing himself as infected rush toward him. Shot 20 (19.8–21.0s): He blasts an infected passenger with white extinguisher foam, filling the corridor as it recoils. Shot 21 (21.0–22.5s): Survivors rush to the connecting door and slam it shut as infected hands claw through. Shot 22 (22.5–24.0s): They wedge luggage and a fold-down seat against the door, breathing hard as pounding continues. Shot 23 (24.0–25.5s): Close-up of infected faces pressing against the door window, cracks spreading across the glass. Shot 24 (25.5–27.0s): A survivor pulls two children close, shielding them as the pounding grows louder. Shot 25 (27.0–28.5s): Wide shot of survivors huddled in the next car, sealed door shuddering behind them under red emergency lights. Shot 26 (28.5–30.0s): Exterior wide shot of the train speeding through the night, sleeper windows flickering with chaos inside, ominous ending.OpenartPaid partnership252K views
WasifAI@doctorwasif · Sep 1The Last Train Alive. Made with Seedance 2.5 on @TapNow_AI Prompt: Shot 1 (0.0–1.2s): Character A, matching reference face/outfit, lies in an upper sleeper bunk, curtain half-drawn, feverish and sweating, eyes slowly opening in the dark, dim blue night-train lighting. Shot 2 (1.2–2.2s): Close-up of her gripping the bunk edge, veins darkening beneath her skin, shallow unnatural breathing. Shot 3 (2.2–3.3s): Her eyes cloud milky white as her head tilts stiffly toward the bunk edge, silent dread. Shot 4 (3.3–4.3s): A dark blood drop falls from her lips onto the curtain below, extreme close-up, slow motion. Shot 5 (4.3–5.3s): Sleeping passenger stirs as another blood drop lands on his forehead, dim cabin light. Shot 6 (5.3–6.3s): Wide view of the stacked bunks; her silhouette slowly leans over the sleeping passenger below. Shot 7 (6.3–7.5s): She silently drops onto the lower bunk, straddling him; curtain sways, her feral bloodshot eyes filling the frame. Shot 8 (7.5–8.7s): She bites his neck; his eyes snap open in shock and pain, cinematic slow-motion impact. Shot 9 (8.7–9.8s): Close-up of the wound as dark veins rapidly branch across his skin, blackening outward. Shot 10 (9.8–10.8s): His body violently seizes, curtain thrashing, muffled choking, flickering cabin light. Shot 11 (10.8–11.8s): His eyes turn milky white, jaw twitching, dark veins spreading across his face, guttural breathing. Shot 12 (11.8–12.8s): He throws his head back in an inhuman scream, ripping the curtain open; sound echoes through the sleeper car. Shot 13 (12.8–13.8s): A nearby passenger wakes and cautiously peeks from his bunk into the dim corridor. Shot 14 (13.8–14.8s): The turned passenger lunges into the corridor and attacks him, sudden violent impact. Shot 15 (14.8–15.8s): Chaos erupts; curtains rip open as passengers wake to screams, confusion, and frantic movement. Shot 16 (15.8–16.8s): A bitten passenger convulses against the wall as dark veins spread rapidly; others retreat in panic. Shot 17 (16.8–17.8s): He turns within seconds and lunges at nearby passengers, triggering a chain reaction. Shot 18 (17.8–18.8s): Passengers scramble through the cramped corridor, knocking over luggage and tearing down curtains. Shot 19 (18.8–19.8s): A conductor grabs a fire extinguisher, bracing himself against the approaching infected. Shot 20 (19.8–21.0s): He blasts the infected with white extinguisher foam, filling the corridor as they recoil. Shot 21 (21.0–22.5s): Survivors rush to the connecting door and slam it shut while infected hands claw through. Shot 22 (22.5–24.0s): They barricade the door with luggage and a fold-down seat as infected pound from outside. Shot 23 (24.0–25.5s): Close-up of the door window: infected faces press against the glass as cracks spread under flickering emergency light. Shot 24 (25.5–27.0s): A survivor pulls two children close, shielding them against the far wall as pounding intensifies. Shot 25 (27.0–28.5s): Wide shot of survivors huddled in the next car, red emergency lights pulsing as the sealed door violently shudders. Shot 26 (28.5–30.0s): Exterior wide shot: the sleeper train races through the night, windows flickering with chaos inside, ending in quiet dread.TapnowPaid partnership118K views
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